Category: Arts

  • Society for Disability Studies takes Minneapolis!

    I find out what a nerd I really am when I realize how excited I am for the Society for Disability Studies conference. The conference will take place this week, June 11-14th, in Minneapolis. This will only be my third time attending, but I truly love this community. I look forward all year to finding out what people have been working on, congregating in hotel lobbies (bundled up to bear my Reynaud’s in the too-cold air-conditioning), and building new relationships. It’s also an extra-fun year for me to attend SDS, because I went to college at Macalester College, just across the river in Saint Paul. So, the Twin Cities are where I first got to delve into disability studies as a field – taking classes with Cindy Wu, doing campus activism (Disability Awareness Month) with SDS board member Joan Ostrove, and interning, then working at Interact Center for the Visual and Performing Arts. Now in the culminating years of my graduate studies, it all comes full circle.

    The poster for Disability Awareness Month 2005. Artwork adapted for this poster is RUSTY CAT MEOW, tempera on matboard, by Ron Christopherson, 2005. RUSTY CAT MEOW was one of the works featured in an exhibition on the 2nd floor of the Ruth Stricker Dayton Campus Center at Macalester College in October 2005. The exhibition included narratives and photos that Ron and I gathered together, as well as his multimedia artworks.
    The poster for Disability Awareness Month 2005. Artwork adapted for this poster is RUSTY CAT MEOW, tempera on matboard, 8.5×11″, by Ron Christopherson, 2005. RUSTY CAT MEOW was one of the works featured in an exhibition on the 2nd floor of the Ruth Stricker Dayton Campus Center at Macalester College in October 2005. The exhibition included narratives and photos that Ron and I gathered together, as well as his multimedia artworks.

    This year my presentations will be as follows:

    Dual regimes of productivity?: tracing ableisms and resistances in Soviet and postsoviet welfare states” a paper presentation extending the questions raised in my recent DSQ article, on a panel titled Performing resistance outside of capitalism: Interrogating Soviet, postsoviet, and global leftist ableisms with Anastasia Kayiatos (Presenter in absentia), Stevie Peace Larson (Presenter), David T. Mitchell (Discussant/update: Dr. Mitchell is unable to attend at the last minute) and Louise Hickman (Moderator). Panel 9d/Friday 5:00-6:30 pm.

    “Do You Like This Installation?” a paper presentation about my Ethnographic Installation investigating the built environment of public space and cyberspace in Russia, on a panel titled Cripping Cyberspace: Exploring Online Disability Aesthetics. With Amanda Cachia (Panel Organizer, Presenter, this year’s Zola award winner!!), Sara Hendren (Presenter in absentia), and Margaret Price (Chair/Moderator). Panel 5c/Friday 8:00-9:30 am.

    I’m really lucky to be engaging with all these amazing folks, and I can’t wait to see what unfolds.

    A screenshot from the home page of the installation website, showing the heading, the menu, two paragraphs of text, and three photos of unusable ramps in RussiaFellow graduate students, if you’re not already a member, check out the Facebook group for the SDS Grad Student caucus (you need to request membership, but one of us administrators will add you promptly). Join us for a happy hour at Brit’s Pub on Thursday evening, and for the Caucus Meeting Saturday 6:45-7:45 pm (holla, caucus coordinator Adam Newman) and the special panel on professionalization (how do you get a DS job, y’all?) that Jess Waggoner put together (Thursday 12:15-1:15pm).

    See you all there!

  • Play premiere in Petrozavodsk!

    This month my friends and collaborators in Petrozavodsk present the city’s first-ever social theater project. The play, which premieres on November 27th and 28th, is a collaborative work, coauthored by children with disabilities in the city and knit together by theater professionals Oleg Lipovetsky and Lidiya Pobedinskaya.

    Screen Shot 2013-11-21 at 7.40.45 PM

    The brain child of an open collaborative of enthusiastic young people, the idea for the project started as a spark to create something new in the city that would be both artistic and socially meaningful. In the fall of 2012, I was invited to join the loose-knit crew of volunteers, with the idea that it might be possible to do some project involving children with disabilities in the city.

    By mid-winter, my friend Lyuda was running from school to school around town, recruiting teachers to participate in the project and collect stories from children who, based on their disability, were sent to particular institutions; meanwhile Zhanna was holding music classes at the rehabilitation center to gather and record original compositions; Nadya was looking for sponsors; and Oleg was rustling up support in the theater community.

    With all the drawings and music and stories collected, Oleg and Lidiya sat down to spin these threads into a story. The result, Privokzalnaia Skazka, or, A Train Station Tale, is set in a busy train station hall. A mysterious stranger encourages passersby to look in his suitcase — and all come away with memories of the creative spirit and true selves of their own childhood selves — represented here with the texts composed by the children. But the dialogue that ties the children’s dreams together paints a different picture. The characters in the train station themselves are complex, the texture of their interactions rich, and darkly humorous, and the language of the play is both accessible and nearly ethnographic in its patterning on the cadences of every day life. A call for creativity, and pausing to appreciate the little things in a bustling world, the story appeals to children and adults alike.

    Just before I left Petrozavodsk in May 2013 at the end of 10 months of dissertation fieldwork, we hosted a staged reading and Q&A for families whose children had participated as coauthors. It was the first time the play had been read aloud, and the families were the first to hear it.

    I wish I could be there for the big premiere!

    Russian speakers, you can find articles about the play in the local press here, here, and here. And don’t miss the video below!

    A Train Station Tale

     

  • Installation Launch: Cripping Cyberspace

    I am absolutely thrilled to announce the launch of my new ethnographic installation in its digital incarnation this Friday, September 27th!!A screenshot from the home page of the installation website, showing the heading, the menu, two paragraphs of text, and three photos of unusable ramps in Russia

    The project, Do You Like This Installation?, is one of four commissioned works featured in a contemporary online art exhibition titled Cripping Cyberspace. The broader exhibition is curated by uber-talented Amanda Cachia, presented by the Canadian Journal for Disability Studies, and is debuting as part of the Common Pulse Arts & Disability Festival, taking place in Durham, Ontario, Canada.

    This week I’m also launch a beta version of the physical installation as an open studio work. It will premiere to the general public for viewing and interactive engagement later in the fall of 2013.

    Starting now, everyone is invited to visit the digital interface for the project, to view the installation photos and videos, and to VOTE for their preference!

    Additionally, Amanda has recorded an interview with me about the project, which you can watch below.

    Please take a few minutes to engage with the ground breaking work presented by the other artists & collectives in the exhibition. Katherine Araniello takes up a beat to break it down – I particularly like the moment when she hits us with “infectious, infectious, infectious”. Sarah Hendren, as usual, is out of the this world, pushing limits with an extension of her slope : intercept project that explores the possibilities for audio description as descriptive soundscape. The Montreal In/accessible Collective has created a phenomenal series of digital public service “posters” that sets out to crip the landscape, “to impair ableism and damage the structures of power that reinforce the ‘normalcy’ of ableist architecture.” I can’t quite get over being included in this badass-sophisticate collection of rad ruffian crip activists!

    It’s been a long road to this moment of seeing activism, art, and critical disability theory come together in such an exciting way. Preliminary feedback confirms the convictions that performance ethnography methodology & engaged scholarship have suggested – a public anthropology, a non-textocentric anthropology, a digital/visual/embodied ethnographic output provokes a dialogic engagement with audiences and collaborators in ways that text alone simply can’t.

     

  • Call for Contributions

    HEY YOU! Contribute to my current project, UNDOING ABLEISM // A VIDEO ASSEMBLAGE!!

    The prompt: Capture a part of your body that does not have a name (e.g. that you can’t describe in two words or less). Submit your digital video to be a part of a larger assemblage, which will be presented as a video installation and shared online.

    How does *your* body fight against medicalized or partial views of itself?

    Read on HERE.

  • Sensory ethnography and Art-making

    “I think especially now that social science is becoming much more interested in communicating our research to public audiences, some of those methods are going to be much, much more effective than the kind of academic writing and report-type writing that has been the traditional method of communication. …

    “I don’t know if the researchers will actually become film-makers rather than thesis writers, but I think there is an increasing development in that area. One of the things I foresee is increasing amount of collaboration with artists. I think there are very exciting possibilities for work with participatory artists developing participatory art projects that help us to communicate social science research outside academia. But sensory ethnography findings in particular, because I think some very interesting possibilities could develop there.”

    -Sarah Pink

    What is sensory ethnography? 2011. United States of America: Professor of Social Sciences, Loughborough University